On my show this month:
So April's gonna go down like this: picture a bottle of wine. Think of the peace that follows from a glass of that wine. A good chunk of this show is the sipping - the sublime disco of AMOR, the surreal odyssey of Allison's Gate, the heavy drone of Hot Air Henry, the eternal dancefloor of The Earthen Sea.
Then you're in a giddy mood, primed to giggle at the simplest gag - cue the next chunk of this show, with The Darling Buds laughing heartily, Hot Shorts cracking self-deprecating jokes in the corner, and Thundercat telling a million tales bout that one time he toured Japan.
Then, y'know, some folks turn from giggling to flirting - as you would when you're caught in the throes of Gnoomes, or struck by the dashing Imaginary People, or stuck in the reverie of You'll Never Get To Heaven.
And then, as you're driving home, you're left with a pounding headache and that sinking woozy feeling, like you've been slugged by ShitKid, or blindsided by Missing Organs, or drugged by Swamp Sounds.
But you will collapse into bed, and dream, and then Flasher will be all that's left to rattle around in yr subconscious until you wake.
On the show NEXT month:
Howdy once again from the ATL! Since you last tuned in, a bridge on one of our busiest interstates caught fire and collapsed, congealing the already congested traffic near my neighborhood. Which, y'know, sucks. But, on the flip side, music is still great - turns out, I've gathered quite the haul of local talent over the last month, from the hypnotic techno of Fit of Body to the anarchic slop of The Callous Daoboys (best band name, right?) to the snotty punk of Death Stuffs. Not to mention, there's the song from Flower, which led ultimately to my 10-page feature with that band's once-conflicted front man, and which could be the most devastating interview I've ever had with any artist. I'll probably talk about that a lot.
In other corners of the world: there'll be both sides of an excellent split between Melbourne slayers No Sister and Bitumen; a lovely curio from side project Brooch; a triumphant return from post-punk recluse Long Hat Pins; raucous parties from the Hot 8 Brass Band and Fred Schneider and the Superions[/aritst]; impressionistic painting from [artist]Justin Walker and Bug vs. Earth (yeah, sounds like oil vs. water, but trust me - it's GREAT); and utter savage BEASTS from Pharmakon and Ewa Justka.
Plus, tons more that I'm surely forgetting - oh, and my hot take on Future Islands, which hopefully was not lost in the swarm of hot takes on the OTHER big release from that week...
My previous session guests:
For 20 odd years, my musical horizons were narrow. AOR stations, concert band, my mom’s old cassette collection, and Dizzy Gillespie rounded out the borders. ‘Twas only in the latter half of college that I stumbled onto the side streets and back alleys of the soundscape, through the humble vehicle of online radio stations. Except, where many folks may have been content to chug-a-lug on the tailored selection, I devoured pages and pages of biographies and album reviews, kept running lists, and bought shoeboxes full of CDs (especially in Wales).
All this scholarly education inevitably culminated in a) the discovery of Dandelion Radio, which for one lonely summer and one miserably lonely year was a shimmery oasis, and b) the spontaneous urge to write and spread the good word about the wondrous new things I was hearing. And imagine – folks in the last.fm community emerged from the shadows and sent me music! Me! Music! How bizarre! The writing habit grew, and by the tail end of 2012 I was fleshing out a blog dubbed “Soundscape Memoirs”. People read it, too.
Miraculous stuff happened in 2013. I found a pen pal across the pond, a staff position at Gold Flake Paint, a record store, friends to talk to, and the greatest sounds emanating from Athens, Georgia in this day and age. And that, my friends, leads us to the Mixcloud broadcast, remote interviews, graduate school at the University of Georgia, and a staff position at Everett True’s Collapse Board.
Which means, in the end, that I still don’t know much of anything. But ya gotta learn somewhere, yeah?
If you have something that I should hear and play then contact me but do not send it to the UK PO Box ... because I am in USA and it would cost too much to forward.
Tracklistings for my previous shows:
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