Dandelion Radio
Dandelion Radio
Dandelion Radio
Home page
Latest station news & Dandelion related events
Dandelion Radio's broadcast schedule
What you can hear in this month's shows
Profiles of our DJs
Tracklist archive for previous shows
Background info and history
Dandelion Radio's Festive 50 results
Dandelion Radio related compilations and releases
Photos of Dandelion staff and events
Sign our guestbook
How to get in touch
Recommended websites
Dandelion Radio is
fully licenced with:
PRS For Music - Performing Right Society PPL - Phonographic Performance Limited
Listen to Dandelion Radio - click here for web player or one of the links to the right to open the audio stream Listen to Dandelion Radio with media players such as Winamp, iTunes & RealPlayer Listen to Dandelion Radio with Windows Media Player

'Broadcast One' - Dandelion Radio's 1st compilation album

NEWS:
For June we have 30 hours of new shows - including an exclusive session

Artist Info

Louis Tillett

Louis Tillett
Image from Discogs
Powered by Audioscrobbler™Throughout the 1980s and 1990s LOUIS TILLETT provided a commanding and distinctive presence on the Australian alternative music scene. He was a softly spoken individual, yet it was his rich baritone singing voice (once described as “burning like a deep wound… like it’s oozing from the cracks of a tomb”), characteristic keyboard technique and exceptional song writing skills that earned him a reputation as an artist of considerable imagination, authority and conviction, and as a sideman of redoubtable stature.

In addition to leading groups like the Wet Taxis, Paris Green and the Aspersion Caste, his work as a backing musician with Catfish, Ed Kuepper, the New Christs and Tex Perkins kept him firmly in the public eye. Louis’s first band, the Wet Taxis, commenced life as an experimental outfit in the manner of fellow Sydneysiders Severed Heads and Scattered Order before taking on a tougher 1960s-influenced direction. Their classic debut single on the Hot label, ‘C’mon’ (1984), boasted an authentic garage/R&B sound heavily influenced by such American garage/punk bands as the Moving Sidewalks, We the People and the Chocolate Watchband plus legendary Australian group the Atlantics (who originally issued the song as ‘Come On’ in 1967). Alongside the likes of Died Pretty, the Celibate Rifles, the Lime Spiders, the New Christs, the Hoodoo Gurus and the Eastern Dark, the Wet Taxis came to epitomise the Australian garage rock sound and aesthetic of the 1980s. The band’s only album was the appropriately named From the Archives (Hot, 1984). The 1960s garage rock sound served the Wet Taxis well, yet Louis was constantly in search of new musical terrain to explore. This led him to the acoustic-based No Dance side project with Died Pretty’s Brett Myers and Celibate Rifles’ Damien Lovelock (one EP, ‘Carnival of Souls’ in 1984) and the improvisational jazz/blues-influenced Paris Green ensemble which covered material ranging from Mose Allison and John Coltrane to Ray Charles.

Following the release of the Wet Taxis single ‘Sailor’s Dream’ on the Citadel label (1987), Louis folded the band and immediately recorded his debut solo album Ego Tripping at the Gates of Hell with support from a stellar array of local musicians including guitarist Charlie Owen and drummer Louis Burdett. The album relied upon a brooding intensity for its emotional effect, yet there was always a lighter more positive side as displayed on tracks like ‘Trip to Kalu-Ki-Bar’. His next band the Aspersion Caste included Owen, Burdett, ex-Wet Taxis guitarist Penny Ikinger and a powerful horn section and was heard on A Cast of Aspersions (1990) and its astonishing single ‘Condemned to Live’. A Cast of Aspersions was an eclectic and potent exploration of mood and emotions driven by Louis’s booming baritone voice and smouldering organ, jagged guitar lines and the swinging brass arrangements. Louis kept the Aspersion Caste on the road (including performances in Europe and New York) until 1992 when he recorded his next solo album Letters to a Dream.

In 1995, he collaborated with Owen on the album Midnight Rain before they joined Ken Gormly and Jim Elliot (from the Cruel Sea) as backing musicians for Tex Perkins, on tour to promote his 1996 solo album Far be it From Me. Louis released his last album, Cry against the Faith, in 1999. As well as travelling overseas and succumbing to bouts of ill-health due to his well-publicised battle with alcoholism, he continued to put in occasional live performances around Sydney (often with help from Gormly and Elliot). An ABC-TV documentary produced a few years ago on the man, A Night at Sea, provided rare insight into his role as a performer and his struggles with personal demons.

He has now emerged in 2005 with renewed vigour. All of which brings us to his new album, The Hanged Man, an exemplary return to form and a solo release in the truest sense. Louis recorded The Hanged Man in Bangkok, Thailand in July 2004 with a local engineer called O, and it focuses squarely on his skills as a song writer, producer, singer and multi-instrumentalist par excellence – a remarkable achievement from a remarkable musician. Written by Ian McFarlane 2005 - Author of Encyclopedia of Australian Rock and Pop. (Allen & Unwin, 1999)

DISCOGRAPHY

1983 From the Archives by the Wet Taxis
1985 Sailors Dream a single written by Louis & performed by the Wet Taxis (mark 2)
1987 Egotripping at the Gates of Hell
1990 A Cast of Aspersions
1992 Letters to a Dream
1993 The Ugly Truth by Louis Tillett & Charlie Owen
1995 Midnight Rain by Louis Tillett & Charlie Owen
1998 Cry Against the Faith
2001 Learning To Die
2005 The Hanged Man (release through NORMAL in Europe 2006)
2006 Soliloquy (Piano & Vocal)
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Artist biography from last.fm




Some other places to look for information:
last.fm
Discogs
MusicBrainz