Dandelion Radio
Dandelion Radio
Dandelion Radio
Home page
Latest station news & Dandelion related events
Dandelion Radio's broadcast schedule
What you can hear in this month's shows
Profiles of our DJs
Tracklist archive for previous shows
Background info and history
Dandelion Radio's Festive 50 results
Dandelion Radio related compilations and releases
Photos of Dandelion staff and events
Sign our guestbook
How to get in touch
Recommended websites
Dandelion Radio is
fully licenced with:
PRS For Music - Performing Right Society PPL - Phonographic Performance Limited
Listen to Dandelion Radio - click here for web player or one of the links to the right to open the audio stream Listen to Dandelion Radio with media players such as Winamp, iTunes & RealPlayer Listen to Dandelion Radio with Windows Media Player

'Broadcast One' - Dandelion Radio's 1st compilation album

For May we have sessions plus special shows - one related to Nirvana and the other the city of Sydney

Artist Info

Xiao He

Xiao He
Image from Discogs
Powered by Audioscrobbler™Born in 1975 in Handan, Hebei Province, He Guoheng, known in the world of music as Xiao He (小河), is one of the most creative and influential artists in the Beijing music scene. Besides his recordings and his solo and ensemble music performances, he is active in drama, writes incidental music, and is a creative force in the underground movie industry. He is also the head of Maybe Horse, a Maybe Mars sub-label dedicated to supporting and developing Beijing’s and China’s most innovative folk and ethnic musicians.

Xiao He first attracted serious attention in the late 90s with his experimental band, a Dada-esque performance art-rock troupe Glamorous Pharmacy, a fluid ensemble that mixed folk, jazz, experimentation, improvised performances and action art to create a strangely surreal sound that never seemed to settle anywhere before turning around and heading of in a different direction. At the time China’s musical underground was small and fairly homogenous, but the playful and anarchic spirit of the members of Glamorous Pharmacy suggested several new doors into various styles that were eagerly opened and pursued by other musicians. Glorious Pharmacy glorified in the creation of new “branches” of Chinese underground music, variously called among other things “introverted”, “weird”, and “malicious” music.

At the same time Xiao He, which is the alias he settled on for his folk and improvised music performances, played guitar, drum and accordion at River, a legendary old Beijing folk bar. Between these two projects Xiao He quickly developed a serious following among artists and music fans in the China music scene. In 2003, Modern Sky, China’s largest independent label, released his first CD, a live recording called “The Bird that Can Fly High Landed on the Cow that Can Run Fast”. Almost immediately this was received as one of the most important recordings in contemporary Chinese music.

Except for a very few special performances with Glorious Pharmacy, today Xiao He only plays solo performances. Calling these multi-faceted improvised performances “Free Folk”, as much to express his anarchic playfulness as to suggest the total freedom which he approaches musical instrumentation, vocal performances and stylistic experimentation, he has become the inventor of a deeply weird and immensely moving style of music, mystical and surreal, which abruptly veers from the plaintive cries of Mongolian or Western Chinese music to the barbed and sometimes childlike humor of the avant garde. Complementing his stylistic creativity is a wholly unique way of playing acoustic guitar, loops, synthesizers and any other instrument that catches his fancy.

After his 2009 European tour, Xiao He released his second album, a double CD, with Maybe Mars. The album, “Identity Performance”, consists of improvised live and studio performances and two separate CDs – one for the live shows and one for the studio performances.

His new album is a milestone for Xiao He. The live performances are based on 30 hours of recordings going back three years, which he has assembled as his “personal symphony”. The live performance CD includes selected recording from six different shows and focuses on the irreversible and unrepeatable character of live performance. The other CD was recorded in his studio and focuses on the quality of the sounds and experimentation with the recording process. The studio recording juxtaposes thousands of ways of combining vocal sounds with the sound of his guitar as he wrestles with and reinterprets his understanding of Minimalism.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Artist biography from last.fm

Some other places to look for information: