San Fransisco artist Lucy Liyou synthesises field recordings, text-to-speech readings, poetry, and elements from Korean folk opera into sonic narratives that explore the implications of Orientalism and westernisation. Though their music reflects the work of genres such as post-industrial and musique-concrète, Liyou is influenced by audiobooks as well as music from the Impressionist period and Neoclassical period.

Combining all these disparate sonic elements into critically cohesive pieces, the musical world of Lucy Liyou alternates between beautiful serenity and unsettling entropy. Gorgeous bits of neoclassical music fragment into decaying shards, voices get warped beyond recognition, and shimmering light makes way for bitcrushed
noise.
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