Ed has been making music since the late 1990s, firstly as one third of Parlophone's Brothers in Sound, then later a solo act under the name Redarthur. After a 5-year hiatus which he spent living in University libraries & music technology labs making strange bleeps, he returned to the music industry to join The Paper Cinema, a puppetry/animation/theatre/music hybrid (that tours both internationally & in Hackney). Now performing and recording under the name Ed Dowie, he makes music which fuses experimental techniques with melodic aspirations.

In 2017, Ed released his feted debut album ‘The Uncle Sold’, leading The Quietus to hail him as a “bold and starry-eyed visionary” and The Skinny to praise his “beautiful… stolen snapshots of glimpsed futures and lost pasts.” and BBC Radio 3’s Late Junction made the record one of their albums of the year. Now, four years on, Ed is to return with an album that will surely find him new followers alongside longtime fans such as Lauren Laverne, who described its predecessor as an “absolutely extraordinary” achievement.

The Obvious I (2021) marked a pronounced evolution from Dowie’s earlier music that would see Dowie drawing on musical lessons learned throughout his life: from his childhood as a chorister in Dorset, taught to play piano by his father who himself composes choral classical 20th Century Music, to pivotal friendships made following the dissolution of his first group Brothers In Sound, when Dowie enrolled to study Music, Technology And Innovation at De Montford University in Leicester. The first module studied by Dowie during his time in Leicester introduced him to the work of minimalist composers such as Morton Feldman, Pauline Oliveros and La Monte Young. The Obvious I was co produced by pioneering British experimental musician and sometime member of Polar Bear “Leafcutter John” Burton.
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