The idea of The Waggers as a corporeal being was first conceived by a barbarian in early Visagothic Spain, this idea seemed almost too elementary and obvious at first, but as it had somehow never had a successful manifestation previously, the idea was not lost.
At first it was thought that The Waggers would best be suited in the form of a large beast, which would be imposing enough to so they said "Bump the people on the head into infancy" with it's size, but this was much too clumsy and typical for those times, and so the task was put off for many centuries.
It came as no surprise to any of the internal figures that a true Waggers would best be suited in a sonic expression, this being(Since sound is so easy to manipulate) the simplest gateway to seeing what The Waggers did NOT have to offer, or at least, what it would likely hold back.
And since sound is the most strangely evocative faculty of corporeal expression(As it may hold immense weight without a necessary relation to things that sound LIKE it) it may easily be perceived as powerful in an A Priori sense, which was precisely the effect that was desired: to deceive us close into a understanding of these Waggers.
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